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Given the “mind prison” concept, this could have been a far more surreal episode, as seen across many shows which have delivered trippier descents into a character’s mind (even 19 years later, Buffy the Vampire Slayer’s “Restless” remains hard to beat for its artistry). But while “Inescapable” doesn’t push too hard into visual trickery, there are still some well-executed transitions within the surreal mindscape Fitz and Simmons occupy here, especially Fitz climbing after Jemma’s seven-year-old self into her childhood bedroom.

“We started talking in terms of redemption,” says Whedon. “We realized, while Buffy is about the hero’s journey — that ‘becoming the person you are’ that happens in adolescence — Angel is about dealing with the person you’ve been.” Or, as co-creator Greenwalt, 69, puts it: “Buffy has this wonderful purpose and fights evil, but still wants to go to the prom and get the right dress. Angel is a much darker and, in a sense, more complex character.”

I remember thinking, back when I was a theater actor coming to Los Angeles, that film and television actors were pampered, and theater actors were somehow truer actors. Now that I’m doing a theater piece, having done a lot of television and film over the last few years, I think I would agree with my old self. Television and film actors are pampered. [laughs]

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