Financial Times Review: The Nevers

Modern storytellers always want to liberate Victoria women; to release them from their social constraints, their historical servitude, and most especially, their outer clothing. Only then will these ladies be free to express their true, butt-kicking nature. It also helps that Victorian men are ready-made villains. According to this lively-corset-buster from Joss Whedon, creator of Buffy the Vampire Slayer, the patriarchy at its most mutton-chopped become anxious when women suddenly start acquiring superpowers. It can only be a matter of time, the bewhiskered denizens of clubland opine, before “the immigrant and the deviant” also rise in revolt, and the Empire topples.

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AdWeek Review: The Nevers Promo Gift Box

This Elaborate Escape Room in a Box Helps Hype HBO’s New Fantasy Series The Nevers Agency RQ’s kits play off the past but hint at…

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LA Weekly Review: The Nevers

A Victorian sci-fi drama brimming with supernatural creatures, steampunk aesthetic and badass femme fatales who can backflip in a corset, The Nevers, is an interesting take on a well-worn subject.

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Monkey’s Fighting Robots Review: Buffy The Vampire Slayer #24

Until now, the Scooby Gang never thought that the greatest force they’d have to face came from their own ranks. In Buffy the Vampire Slayer #24, the Gang takes on a darkness out of their control. This issue is written and illustrated by long-time contributes Jeremy Lambert and Ramon Bachs, respectively. Also returning are colorist Raul Angulo and letterer Ed Dukeshire.

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UPROXX Review: The Nevers

HBO’s The Nevers arrives as a tough show to review for a few reasons: (1) The show lands with many of the (frankly appealing) pluses that one would expect from the showrunner of Firefly, Dollhouse, and the Buffy series; and (2) The series finds itself saddled with the baggage of the guy who created those same beloved series. Sadly, there’s no way to separate those two statements because Joss Whedon’s particular quirks, his sensibilities, and his favorite tropes run throughout the first four episodes screened for critics.

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New York Times Review: The Nevers

An allegorical alt-superhero series about gifted women in Victorian London makes it to the screen, but without its currently embattled creator.

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c|net Review: The Nevers

The historical fantasy series streams on HBO Max from April 11, It begins with a wordless opening scene in which people wander about in old-timey frocks for several minutes, but hang in there: The fun soon starts as out Victorian-era heroines seek out a child who may be cursed by the devil. That leads to an acrobatic fight scene packed with luminescent hand grenades and weaponized parasols, setting the tone for an adventure full of kick-ass women taking on sinister baddies.

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Variety Review: The Nevers

The new drama, about Victorian women granted extraordinary powers out of thin air, is engaging even as it leans heavily on Whedon’s go-to tropes.

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The Mary Sue Review: Lorne

There’s one Angel character who stands out from the rest – both literally and figuratively – and he wasn’t even intended to exist in the first place. Though demons tend to get the pointy end of the stick in the Buffyverse, Andy Hallet’s fast-taking, aura-reading, green-skinned demon Lorne has stood the test of time and emerged as one of Angel’s most unlikely standouts with his infectious energy and quick wit.

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CBR Review: Firefly: Brand New ‘Verse #1

Twenty years have passed since the events of Serenity shifted the Firefly universe into a new direction. But it turns out that the timeline hasn’t changed all that much. In that time, Zöe Alleyne Washburne has taken command of the titular Serenity ship.

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