“It was very intended to have me show up in that fashion,” she explains. “Calculate is not the right word but it’s purposeful. You’re not going to have me show up, and immediately think there’s nothing to my being there. It’s obviously going to pull in a similar fan bas [to Buffy]. That was intended.” Part of that plan required keeping Caulfield’s casting a complete secret until she emerged as queen bee of the neighborhood in Episode 2.
I shared my experience, others have come forward to confide in me and reveal their own experiences with abuse. So it is my aim to help educate anyone reading this on how to be an ally and support a person who has survived trauma in its many incarnations.
I want to be honest here. Although I do enjoy Boom! Studios Buffy-verse which has excelled with titles such as Angel & Spike. Willow and even the recent Faith revival, the titular book continues to fall short of what it tries to offer us.
We expect death on a show like Buffy, but we expect it by way of vampires, demons and major climactic battles. That Joyce dies from a normal-body failing is shocking. It feels incredibly poignant that the two biggest deaths of the series – excluding the series finale or the death of a certain character who comes back to life – happen in the most mundane, human ways possible. (The other one is Tara, who’s killed by a gun.) Usually a loud and dramatic show, this episode is quieter with sparse background noise and little dialogue, allowing it to slow down and focus on the minute details of the different ways people grieve.
I think that there are plenty of mainstream examples of narrative meeting games, there’s a whole subgenre of anime dedicated to it in fact. But I do think having indie people driving the market is going to help formalize the genre in an innovative way. It’s always those first creators who pioneer and set the tone and the rules for others to later to create within.
“It’s really fun because Harry gets social situations wrong and there’s a lot of humor that comes out of that,” Tudyk told SYFY WIRE prior to the show’s premiere on SYFY last month.
This first issue takes place at multiple points of Faith’s life. Mostly based around a movie theatre, we see different parts of her story told in sequence. From her admittance into a children’s home, through to early training and modern-day, Faith Lehane is trying it piece together her life, practically chiseled into becoming a slayer. Multiple vampires are slain and unknown mysteries of her history begin to unravel.
“I am always like ‘I will believe it when I see it’ but always open and optimistic someone is going to do something,” says Hannigan, in an interview that took place just before the drama unfolded. “I’ll definitely be the first one at my set watching and it’s cool there is an audience that wants it to happen. So hopefully it does take off. “
I can’t mention the Buffy series without talking about the ability of the artists. Spanning several different books across the studio line, each entry manages to deliver the characters consistently. Faith is drawn with the same look and appeal as when she was introduced in Buffy a few issues back.
Sarah Michelle Gellar Talks Feeding America Project, Masters of the Universe and Buffy Reboot on On With Mario Podcast
Sarah Michelle Gellar recently appeared on the On With Mario Podcast, hosted by Mario Lopez. Watch below to hear talk about her work with Feeding…