I want to be honest here. Although I do enjoy Boom! Studios Buffy-verse which has excelled with titles such as Angel & Spike. Willow and even the recent Faith revival, the titular book continues to fall short of what it tries to offer us.

We expect death on a show like Buffy, but we expect it by way of vampires, demons and major climactic battles. That Joyce dies from a normal-body failing is shocking. It feels incredibly poignant that the two biggest deaths of the series – excluding the series finale or the death of a certain character who comes back to life – happen in the most mundane, human ways possible. (The other one is Tara, who’s killed by a gun.) Usually a loud and dramatic show, this episode is quieter with sparse background noise and little dialogue, allowing it to slow down and focus on the minute details of the different ways people grieve.

I think that there are plenty of mainstream examples of narrative meeting games, there’s a whole subgenre of anime dedicated to it in fact. But I do think having indie people driving the market is going to help formalize the genre in an innovative way. It’s always those first creators who pioneer and set the tone and the rules for others to later to create within.

This first issue takes place at multiple points of Faith’s life. Mostly based around a movie theatre, we see different parts of her story told in sequence. From her admittance into a children’s home, through to early training and modern-day, Faith Lehane is trying it piece together her life, practically chiseled into becoming a slayer. Multiple vampires are slain and unknown mysteries of her history begin to unravel.

“I am always like ‘I will believe it when I see it’ but always open and optimistic someone is going to do something,” says Hannigan, in an interview that took place just before the drama unfolded. “I’ll definitely be the first one at my set watching and it’s cool there is an audience that wants it to happen. So hopefully it does take off. “

I can’t mention the Buffy series without talking about the ability of the artists. Spanning several different books across the studio line, each entry manages to deliver the characters consistently. Faith is drawn with the same look and appeal as when she was introduced in Buffy a few issues back.

Sarah Michelle Gellar recently appeared on the On With Mario Podcast, hosted by Mario Lopez. Watch below to hear talk about her work with Feeding…

“Formidable” is often used to describe Gina Torres’ onscreen presence whether she’s playing the unflappable second-in-command on a ramshackle spaceship in Firefly, a midriff-baring Sumerian princess on Hercules: The Legendary Journeys, or a high-powered layer intent on making the most of her second chance on Pearson. And the statuesque actor, whose genre-laden career now spans three decades, certainly emanates competence and poise, making her look like every bit the natural-born leader. But a closer inspection of the DNA of a Gina Torres character reveals as much warmth and vulnerability as poise and prowess – it’s not for nothing that Firefly’s Zoë and Wash are one of the most beloved TV couples in the ‘verse.

Adapted from the popular and prestigious (it won the Newberry Medal) Kate DiCamilo (“The Tale of Despereaux”) novel, “Flora” has Hannigan as Phyllis Buckman, a beleaguered single mom whose only child, Flora (Matilda Lawler), hasn’t adjusted to her parents’ recent split.

The Buffy the Vampire Slayer star added: “Kissing a girl on camera is way better because when you kiss a guy, all your makeup rubs off and then in between you have to get these touch-ups. But [when] it’s a girl it’s, like, you’re good to go.”