“She’s amazing,” Gellar said of her longtime friend. “It’s funny, my husband [Freddie Prince Jr.] always says that you always learn better from your friends than your spouse. He’s this amazing chef but I never learned from him, because I get so nervous and frustrated and he gets frustrated with me. I’ve learned so many recipes from Shannen during quarantine, because she’s much more patient with me in the kitchen.”

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“I have a lot of the graveyard stuff. So that is a lot of my Halloween decorations. I have a lot of Buffy props that help decorate our house for Halloween, which is very cool because our graveyard is real spooky. It’s pretty awesome.”

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“Kids go to school and they have professionals who are there to see that stuff and we count on that, but there is a difference when you know your own child inside and out,” Gellar continued. “You have to go with your gut as a parent. I think that’s the best advice I’ve ever learned. You know your kid.”

“Visibility equals possibility for me,” Day tells the Hollywood Reporter, “so you never know when you’ll stumble upon someone who really inspires you t take a leap in designing a board game or becoming a voiceover artist – it’s so important to be exposed to it, because often ideas don’t occurs to us as people unless we sense the possibility of it.”

I didn’t set out to make an ‘issue’ film, it just started with the character of Holly – and essentially, over a long period of time, she told me what she wanted to be. That’s how I wrote it, just trying to be as empathetic and considerate as possible to the character. The reason it’s not a straight ‘issue’ film is that I think often those films get it wrong. I love the way genre films, which are my favourite, handle issues. I think they take more care and consideration and have a more visceral, emotional feeling to them.