I can’t mention the Buffy series without talking about the ability of the artists. Spanning several different books across the studio line, each entry manages to deliver the characters consistently. Faith is drawn with the same look and appeal as when she was introduced in Buffy a few issues back.

Sarah Michelle Gellar recently appeared on the On With Mario Podcast, hosted by Mario Lopez. Watch below to hear talk about her work with Feeding…

I wasn’t there during the time in question. I am sorry that anybody had to experience what it was that was described. Obviously, there’s one side of the story that we’ve heard. I don’t know that Joss has made any comments. As you point out, I worked with Joss fairly closely for a couple of years there. I didn’t see that behavior, and at the same time, as an actor, my heart goes out to anybody that had to endure that kind of treatment. We get treated as second-class citizens frequently. But I did not see it, and I would be curious as to what [Joss’s] response to this has been.

“Formidable” is often used to describe Gina Torres’ onscreen presence whether she’s playing the unflappable second-in-command on a ramshackle spaceship in Firefly, a midriff-baring Sumerian princess on Hercules: The Legendary Journeys, or a high-powered layer intent on making the most of her second chance on Pearson. And the statuesque actor, whose genre-laden career now spans three decades, certainly emanates competence and poise, making her look like every bit the natural-born leader. But a closer inspection of the DNA of a Gina Torres character reveals as much warmth and vulnerability as poise and prowess – it’s not for nothing that Firefly’s Zoë and Wash are one of the most beloved TV couples in the ‘verse.

Adapted from the popular and prestigious (it won the Newberry Medal) Kate DiCamilo (“The Tale of Despereaux”) novel, “Flora” has Hannigan as Phyllis Buckman, a beleaguered single mom whose only child, Flora (Matilda Lawler), hasn’t adjusted to her parents’ recent split.

The Buffy the Vampire Slayer star added: “Kissing a girl on camera is way better because when you kiss a guy, all your makeup rubs off and then in between you have to get these touch-ups. But [when] it’s a girl it’s, like, you’re good to go.”

The New York native went on to tell Us that the “first month” with the new dogs was harder than raising kids. “My kids are at an age where they can go the bathroom by themselves and they don’t pee and poop in the middle of the kitchen,” Gellar joked of daughter Charlotte, 11, and son Rocky, 8.

As many of you will already have seen, yesterday Charisma Carpenter made a statement in support of Ray Fisher, accusing Joss Whedon of abusing his…

In the world of Buffy the Vampire Slayer, life as a Watcher was never easy, but Giles was content to take a more passive role as others rushed into danger. The death and rebirth of Giles in Buffy the Vampire Slayer Season Eight changed all that, proving Giles was far stronger than anyone truly realized. In the final arc of Buffy the Vampire Slayer: Season Eight, “Last Gleaming,” Giles’ transformation begins with his death at the hands of Twilight.

It sometimes feels that there are too many reasons to count why the show means so much to me even though it’s so removed from my own coming of age. For those who watched ‘Buffy’ while it was airing in the late ’90s and early ’00s or came to it later but had lived though that time, there tends to be a great sense of nostalgia, especially for folks who were growing up alongside the characters. While I’m a generation removed from the original viewers of the show, it still resonates with me deeply (and with friends who I’ve converted into fans). It is my belief that you either love ‘Buffy the Vampire Slayer’ or you haven’t watched it yet. For faithful fans and for the uninitiated, here are five reasons ‘Buffy’ still matters today and will for years to come.