The Nevers Characters | Dr Edmund Hague played by Denis O’Hare GALLERY | DENIS O’HARE | THE NEVERS Dr Edmund Hague is a gifted American…

HBO’s The Nevers arrives as a tough show to review for a few reasons: (1) The show lands with many of the (frankly appealing) pluses that one would expect from the showrunner of Firefly, Dollhouse, and the Buffy series; and (2) The series finds itself saddled with the baggage of the guy who created those same beloved series. Sadly, there’s no way to separate those two statements because Joss Whedon’s particular quirks, his sensibilities, and his favorite tropes run throughout the first four episodes screened for critics.

An allegorical alt-superhero series about gifted women in Victorian London makes it to the screen, but without its currently embattled creator.

The historical fantasy series streams on HBO Max from April 11, It begins with a wordless opening scene in which people wander about in old-timey frocks for several minutes, but hang in there: The fun soon starts as out Victorian-era heroines seek out a child who may be cursed by the devil. That leads to an acrobatic fight scene packed with luminescent hand grenades and weaponized parasols, setting the tone for an adventure full of kick-ass women taking on sinister baddies.

Amalia, gifted with foresight, has a shadowy past, a legendary right hook and a habit of ditching her walking dresses mid-brawl, because a long skirt can really spoil a roundhouse kick. “You throw yourself at danger like you think it’s going to propose,” a colleague tells her/

Donnelly lives more quietly, though she did quit drinking early in the pandemic, which must qualify as an unusual ability. Production on “The Nevers” won’t resume for a few months, so she is currently locked down in London – in the home that she and Butterworth share with their two daughters, 3 and 4 – mothering, batch cooking, trying to get a decent night’s sleep with the help of some meditation apps.

For sure, The Nevers is of a piece with Whedon’s kickass-girl-power oeuvre, which includes Buffy and Dollhouse, as well as elements in Angel, Firefly and Agents of S.H.I.E.L.D. The period drama, which premieres Sunday (HBO, 9/8c) focuses on a (primarily female) group of 19th-century Londoners who have been mysteriously “touched” by a force that bestowed assorted powers upon them.

“The Nevers” is every bit a Whedon show. It’s got strong women protagonists who are curiously adept at fighting. It’s got quirks coming out of its ears. It’s got snappy dialogue (though not nearly as much as “Buffy,” which may be an attempt to make it more “mature”). It’s also got a lot going on, too much. That couples with a slightly cartoonish feel. In some of his shows, this works. In others, it doesn’t. “The Nevers” splits the difference right down the middle.

Set in Victorian London, The Nevers explores a world where few individuals — mostly women — awaken supernatural abilities, ranging from visions to annihilating power. However, these gifts leave them vulnerable to a white male-run society determined to eliminate their kind. Under the guidance and protection of seer Amalia True (Laura Donnelly) and steampunk inventor Penance Adair (Ann Skelly), the Touched form a collective to protect each other. But not all Touched ones find a benevolent way to process society’s persecution of them.